Monday, November 23, 2009

Pino Palladino: A Tribute to the Man


Welsh-born bassist, Pino Palladino is one of my all-time favorite bassists.
He has played with 'The Who', and the 'John Mayer Trio' among other greats.
He has his own signature bass (which I can't afford, but a girl can dream, right?), and some sweet bass riffs that are all his own.



Check out these sites for more Pino.

My New Distortion Pedal


I'd been considering buying a distortion pedal for over a year now, and finally bought one about a month ago. My main motivation for buying a distortion pedal was my desire to learn Muse's 'Hysteria.' (http://www.youtube.com/watch?v=uJg8U0QMXEQ)


Muse's bassist, Christopher Wolstenholme uses the Russian Big Muff Pi in 'Hysteria', so I decided I would try it out. (http://www.ehx.com/products/big-muff-pi-russian)


I think the Russian model is discontinued now, but I found a new one on ebay for $69. So far, I really like it, though it wasn't originally intended for the bass guitar.


Electro-Harmonix has a Bass Big Muff Pi, but from what I've read, many bassist opt for the Russian guitar version. ( http://www.ehx.com/browse/bass-pedals)



Read what others have to say about the Russian Big Muff Pi:




Hysteria bass lesson

Wednesday, November 18, 2009

Becoming a Better Bassist


Becoming a better bassist takes time, dedication, and good practice technique. Below are a few of my suggestions to get you started on your journey to becoming a better musician.

One of the most important skills any musician can benefit from is that of a quality practice session every day. Practicing for at least 20 minutes (which I wrote about previously), but no longer than a couple of hours every day will set you on the right track to becoming a better bassist… guaranteed.
It's all about quality. It's not enough to practice your instrument. My band director use to say "Practice doesn't make perfect playing. Perfect practice makes perfect playing." You must have a quality practice session in order to better yourself as a musician.
What should you practice? You can never go wrong with scales (as boring as they can seem).


Learning the fret board is an important step in becoming a better bassist. You should know the placement of every note on your instrument. Take time in every practice session to learn the notation of your instrument backwards and forwards.

Practice with a drum loop, or drum machine to help you get in the pocket, and stay there. What good is a bassist who has no sense of rhythm? No good at all. You must be able to develop a groove, and practicing with a drum loop will help you do that.

Expand your horizons. Just because you're a rock (country, jazz) bassist doesn't mean you can only play bass lines within that genre. The more stylist grooves you know, the better off you are as a bassist. A great book to learn stylist grooves is "Bass Grooves," by Ed Friedland, and published by Backbeat books. It comes with a CD that demonstrates the different grooves. This books was a huge help to me when I was first starting to learn bass guitar.

Expose yourself. Listen to as many bassists as you can, both live and on CD. Other bassists aren't your rivals. They should be your motivation and inspiration.

Take the opportunity to play with other musicians, especially those who are better than you. Playing with superior musicians will stretch you musically, and is one of the best ways to become a better musician.

Learn to read the bass clef (standard notation) or tablature (tab). You shouldn't have to rely on reading music to play it, but it comes in handy when you're learning new music or techniques, and is a heck of a lot quicker than learning by ear (most of the time).

Finally, don't give up! The bass guitar is an incredible instrument, but most people don't learn the bass overnight. It takes time, love, and dedication to be an accomplished bassist, but it is well worth the effort.

Rock on!

Tuesday, November 17, 2009

Practice Techniques

I'm currently taking a 12 week online course (http://www.instituteofbass.com/) in Jazz Bass Lines. This is week 3, which includes the scalar approach, and more scales. Anyway, I'm trying to work out a good practice routine. According to this course, 20 minutes or more of practice time every day is the best method, time-wise, rather than devoting an hour or more, once a week.

Some of the things I'm trying to incorporate into my practice time are scales (boring, but necessary), playing along to a drum loop with improvisation, going over the week's music for church (which includes music by Hillsong, Free Chapel, Jon Egan, and New Life Worship), and learning new music.

One book/CD set I've found absolutely incredible for my practice time is Bass Grooves by BackBeat Books, and can be bought at http://www.amazon.com/Bass-Grooves-Develop-Groove-Softcover/dp/0879307773/ref=sr_1_1?ie=UTF8&s=books&qid=1258505986&sr=8-1

My search for the perfect amp...perfect amp for me, anyway

So, I currently have an Ampeg 4x10hlf cab (American-made), but lack a head to go with it. I tried an Ampeg 450h (not American-made) for a few months, but just couldn't get the sound I wanted out it. I really want a tube pre-amp at the least, which the 450h didn't have.

I previously owned an SWR 350x head, along with a Son of Bertha 15 inch cab (pre-Fender), and a Goliath III 4x10 cab (pre-Fender). I loved the cabs, but wasn't too crazy about the head, so I ended up getting rid of the whole rig. I love SWR, but haven't found a head that I like enough to buy.

My current interest is in a Genz Benz shuttle (the 6.0-12T). I've played one at Corner Music in Nashville, and that baby can really put out to be such a small package (32 lbs. with 12 inch speaker cab). You can check out the specs here: http://www.genzbenz.com/?fa=detail&mid=2258&sid=610&cid=95 and view a taste test on youtube here:

http://www.youtube.com/watch?v=LjjwT8u6Fuc


Because I don't need an amp everywhere I play (the church I play at runs me through the house [boooo!!!!]), I really don't need anything louder than 500-600 watts. I mainly just need a light-weight amp I can carry to other gigs, and for practice.

So, until I decide on the amp I really, really want, I'll continue to use my SWR LA-15, 100 watt practice amp, and my husband's 1965 Bassman head (all tube) with the Ampeg 4x10hlf cab.